{"id":22853,"date":"2018-01-03T19:19:42","date_gmt":"2018-01-03T22:19:42","guid":{"rendered":"https:\/\/www.salvadordabahia.com\/?p=22853"},"modified":"2020-01-21T17:08:05","modified_gmt":"2020-01-21T20:08:05","slug":"nos-os-tincoas-4","status":"publish","type":"post","link":"https:\/\/www.salvadordabahia.com\/fr\/nos-os-tincoas-4\/","title":{"rendered":"N\u00f3s, Os Tinco\u00e3s"},"content":{"rendered":"<h2 style=\"text-align: center;\"><b>Une rupture de paradigmes et un voyage sonore d\u00e9licat<\/b><\/h2>\n<h3 style=\"text-align: center;\"><strong>L&#8217;importance du groupe vocal qui a r\u00e9africanis\u00e9 Bahia, a red\u00e9finit les rythmes et glorifi\u00e9 les orix\u00e1s<\/strong><\/h3>\n<p><span style=\"font-weight: 400;\">Je me souviens de la premi\u00e8re fois que j&#8217;ai vu Mateus Aleluia. Cette nuit-l\u00e0, la Casa Preta Espa\u00e7o de Cultura \u00e9tait pleine. C&#8217;\u00e9tait lors de l\u2019enregistrement du DVD de \u201cSambagol\u00e1 Orquestra Popular\u201d, qui garda alors en m\u00e9moire le souvenir de Batatinha, l\u2019un des grands ma\u00eetres de la samba de Bahia. Mateus ferait une participation. Derniers pr\u00e9paratifs de son et lumi\u00e8re, beaucoup de bavardages. Le voici, en haut, tout v\u00eatu de blanc, il commence \u00e0 descendre les escaliers. Certains savaient qui il \u00e9tait, d&#8217;autres non. Certains ont ouvert la voie comme pour une procession, d&#8217;autres n&#8217;ont pas boug\u00e9. Je suis rest\u00e9 l\u00e0 \u00e0 attendre. Jusque-l\u00e0, quand ils voulaient m&#8217;expliquer qui il \u00e9tait, ils disaient: &#8220;Monsieur Alleluia est une entit\u00e9 vivante&#8221;.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Il atteignit la cour, passa lentement entre les instruments d\u00e9j\u00e0 en place pour le spectacle, se dirigea vers la porte d&#8217;entr\u00e9e jusqu&#8217;\u00e0 la premi\u00e8re marche, s&#8217;arr\u00eata, se retourna pour regarder, et revint. Il est all\u00e9 \u00e0 l&#8217;un des microphones, o\u00f9 il tapa deux fois dessus, et, les yeux ferm\u00e9s, a lanc\u00e9 une belle et puissante vocalise &#8211; je me risquerai \u00e0 dire que c\u2019\u00e9tait en Yoruba. Dans un son croissant et ininterrompu, avec une voix qui r\u00e9sonnait dans ces murs historiques et atteignait doucement nos oreilles, petit \u00e0 petit, la maison tomba dans un silence complet. On ne pouvait entendre que les respirations. Il est rest\u00e9 l\u00e0 quelques minutes de plus et, les yeux ouverts, a d\u00e9clar\u00e9: &#8220;Je pense que le micro est bien pr\u00e9par\u00e9. Nous pouvons commencer !&#8221;. La maison croulait sous les applaudissements et \u00e9clats de rire.<\/span><\/p>\n<div id=\"attachment_1507\" class=\"wp-caption aligncenter\" style=\"width: 1034px;\">\n<div class=\"image-content image-content-full\">\n\t\t\t\t<picture><source media=\"(min-width:768px)\" srcset=\"https:\/\/www.salvadordabahia.com\/wp-content\/uploads\/2018\/01\/27112017eveiga-188-1090x600.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"img-legend img-responsive\" src=\"https:\/\/www.salvadordabahia.com\/wp-content\/uploads\/2018\/01\/27112017eveiga-188-1090x600-500x500.jpg\" width=\"1090\" height=\"600\">\n\t\t\t\t<\/picture>\n<div class=\"container\">\n<div class=\"legend\">\n\t\t\t\t\t\t<span>Mateus Aleluia, lors de la conf\u00e9rence de presse consacr\u00e9e \u00e0 la publication du livre-m\u00e9moire &#8220;N\u00f3s, Os Tinco\u00e3s&#8221;. Photo: Evandro Veiga. Reporter photographique du Journal Correio.<\/span>\n\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><span style=\"font-weight: 400;\">En novembre 2018, lors de la conf\u00e9rence de presse de la publication du livre-m\u00e9moire &#8220;N\u00f3s, Os Tinco\u00e3s&#8221;, un projet multilingue avec un spectacle comm\u00e9moratif et la r\u00e9\u00e9dition des trois albums principaux du groupe: Os Tinco\u00e3s (1973), O Africanto dos Tinco\u00e3s (1975) et Os Tinco\u00e3s (1977), lanc\u00e9s dans l&#8217;\u00e2ge d&#8217;or du groupe. De cette interview, s&#8217;en est suivie un appel aux \u00e9v\u00e9nements de notre agenda culturel, une date confirm\u00e9e plus tard au Teatro Castro Alves, dans la nuit du 6 d\u00e9cembre 2017.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Et quelle nuit! Les derniers du groupe, Mateus Aleluia et Badu ont chant\u00e9 dans le TCA aux c\u00f4t\u00e9s d&#8217;Ana Mametto, Bira Marques, Ganhadeiras de Itapu\u00e3, Margareth Menezes, Saulo et Terreiro Icimimo. C&#8217;\u00e9tait sensationnel d&#8217;entendre le son afro-baroque de Cachoeira du Rec\u00f4ncavo Baiano &#8211; actif depuis 1960 et de formations diff\u00e9rentes &#8211; leur pr\u00e9sence sur sc\u00e8ne nous laissera de bons souvenirs. Un bref r\u00e9sum\u00e9 de cet h\u00e9ritage important pour comprendre l\u2019influence des sons africains dans la musique br\u00e9silienne.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Puis calmement, en lisant le <\/span><a href=\"https:\/\/www.nosostincoas.com.br\/o-livro\"><span style=\"font-weight: 400;\">livre<\/span><\/a><span style=\"font-weight: 400;\">, chaque texte et en regardant les photos, j&#8217;ai d\u00e9couvert que je ne connaissais rien du travail d&#8217;Os Tinco\u00e3s. Ecouter leurs chansons \u00e9tait d\u00e9j\u00e0 incroyable, mais contextualis\u00e9es, cela les transformait en une exp\u00e9rience extraordinaire. Conna\u00eetre les influences &#8220;tincaniques&#8221; dans les travaux de Bixiga 70, Emicida, Criolo, Carlinhos Brown, Martinho da Vila, Letieres Leite et bien d\u2019autres fut une r\u00e9v\u00e9lation. Avec un tirage de seulement 3000 exemplaires, l&#8217;oeuvre a toutes les caract\u00e9ristiques pour devenir un objet de collection.<\/span><\/p>\n<div id=\"attachment_1509\" class=\"wp-caption alignnone\" style=\"width: 700px;\">\n<div class=\"image-content image-content-full\">\n\t\t\t\t<picture><source media=\"(min-width:768px)\" srcset=\"https:\/\/www.salvadordabahia.com\/wp-content\/uploads\/2018\/01\/credito-da-imagem-os-tincoas-em-reproducao-de-capa-de-disco.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"img-legend img-responsive\" src=\"https:\/\/www.salvadordabahia.com\/wp-content\/uploads\/2018\/01\/credito-da-imagem-os-tincoas-em-reproducao-de-capa-de-disco.jpg\" width=\"690\" height=\"442\">\n\t\t\t\t<\/picture>\n<div class=\"container\">\n<div class=\"legend\">\n\t\t\t\t\t\t<span>Cr\u00e9dits: Os Tinco\u00e3s, reproduction de leur pochette d&#8217;album (Source: reportage de Mauro Ferreira pour G1).<\/span>\n\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><span style=\"font-weight: 400;\">La compilation de textes est une immersion dans un travail sophistiqu\u00e9, enracin\u00e9 et actuel. Une musicalit\u00e9 qui a r\u00e9sonn\u00e9 dans le Tropicalismo, jusqu&#8217;\u00e0 arriver \u00e0 M\u00e1rcio Victor, chanteur du groupe Psirico &#8211; qui, par curiosit\u00e9, raconte dans le livre qu&#8217;il est celui qui a pr\u00e9sent\u00e9 Os Tinco\u00e3s au rappeur Paulista Emicida. &#8220;L&#8217;entit\u00e9 vivante&#8221; est plus qu&#8217;un musicien et compositeur. Il repr\u00e9sente, avec le groupe, un monument culturel historique. Ses compositions sont interpr\u00e9t\u00e9es par des orchestres et des groupes de musique centenaires, jusqu&#8217;\u00e0 arriver au carnaval de notre \u00e9poque.<\/span><\/p>\n<blockquote>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">\u201cLa r\u00e9africanisation de Bahia a commenc\u00e9 avec Os Tinco\u00e3s\u2026\u201d<br \/>\n<\/span><span style=\"font-weight: 400;\">Carlinhos Brown. Extrait du livre : &#8220;N\u00f3s, Os Tinco\u00e3s.&#8221;<\/span><\/p>\n<\/blockquote>\n<p><span style=\"font-weight: 400;\">N\u00e9anmoins, si vous ne savez pas en quoi consiste ce travail, rassurez-vous ! La recherche de ces r\u00e9f\u00e9rences est une chose r\u00e9cente, motiv\u00e9e lorsque Bixiga 70 a enregistr\u00e9 &#8220;Deixe a gira girar&#8221;. Voici ici un exemple des arrangements d\u00e9licats, de voix parfaitement harmonieuses, de la guitare \u00e0 la percussion et du tambour harmonique des Tinco\u00e3s, envahissant vos oreilles. Vous aurez probablement l&#8217;impression qu&#8217;ils ont toujours exist\u00e9.<\/span><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/rYTlaMqrnVI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><strong>Fernanda Slama<br \/>\n<\/strong><span style=\"font-weight: 400;\">Coordinatrice de contenu<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">Nous vous avons pr\u00e9par\u00e9 une liste de musiques parfaites pour cette exp\u00e9rience. Ecoutez !<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/user\/2f4xos4omexsoh33rnweg2j3w\/playlist\/2HUx8DNlgdgEDh4WFlFVNX\" width=\"300\" height=\"380\" frameborder=\"0\" data-mce-fragment=\"1\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Une rupture de paradigmes et un voyage sonore d\u00e9licat L&#8217;importance du groupe vocal qui a r\u00e9africanis\u00e9 Bahia, a red\u00e9finit les rythmes et glorifi\u00e9 les orix\u00e1s Je me souviens de la premi\u00e8re fois que j&#8217;ai vu Mateus Aleluia. Cette nuit-l\u00e0, la Casa Preta Espa\u00e7o de Cultura \u00e9tait pleine. C&#8217;\u00e9tait lors de l\u2019enregistrement du DVD de \u201cSambagol\u00e1 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1514,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[3118,3120,2935],"tags":[],"class_list":["post-22853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-histoire-et-culture","category-la-musique","category-mode"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>N\u00f3s, Os Tinco\u00e3s - Salvador da Bahia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.salvadordabahia.com\/fr\/nos-os-tincoas-4\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"N\u00f3s, Os Tinco\u00e3s - Salvador da Bahia\" \/>\n<meta property=\"og:description\" content=\"Une rupture de paradigmes et un voyage sonore d\u00e9licat L&#8217;importance du groupe vocal qui a r\u00e9africanis\u00e9 Bahia, a red\u00e9finit les rythmes et glorifi\u00e9 les orix\u00e1s Je me souviens de la premi\u00e8re fois que j&#8217;ai vu Mateus Aleluia. Cette nuit-l\u00e0, la Casa Preta Espa\u00e7o de Cultura \u00e9tait pleine. 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